The title of the exhibition, Unconcerned But Not Indifferent, is taken from Man Ray’s epitaph. The exhibition is comprised of nearly 300 items
This exhibition explores the photographs of two American masters, Harry Callahan and Edward Weston, through the relationships of vision and desire
Alberto García-Alix (León, Spain, 1956) is one of the leading figures in contemporary international photography.
Through nine artists working with photography, video and installation, the exhibition examines different ways of approaching present and past historical facts.
The exhibition was shown at Casa de América, PHotoEspaña 2014; and will be presented at SESC, Sao Paulo, Brasil and CAF , Almería, Spain
The photographs exhibited here are the work of Henryk Ross (1910-1991) during the period in which he became a photographer in the Department of Statistics in the Jewish ghetto of Lodz in Poland during World War Two.
Gabriele Basilico (Milan, 1944) has been taking photographs of architecture or, more specifically, the urban landscape, for over 30 years.
The exhibition has been present at the Cheteau d’Eau de Touluse, France and PHotoespaña 014.
NeoRealism: The New Image in Italy, 1932-1960 analyses the relationship and intersections of photography with neorealist expression, which was primarily codified in other cultural sectors such as cinema and literature.
László Moholy–Nagy (Bácsborsód, Hungary, 1895 – Chicago, 1946) is one of the greatest personalities of modernity.
The title of the exhibition, Unconcerned But Not Indifferent, is taken from Man Ray’s epitaph. The exhibition is comprised of nearly 300 items
This exhibition explores the photographs of two American masters, Harry Callahan and Edward Weston, through the relationships of vision and desire
Alberto García-Alix (León, Spain, 1956) is one of the leading figures in contemporary international photography.
Through nine artists working with photography, video and installation, the exhibition examines different ways of approaching present and past historical facts.
The exhibition was shown at Casa de América, PHotoEspaña 2014; and will be presented at SESC, Sao Paulo, Brasil and CAF , Almería, Spain
The photographs exhibited here are the work of Henryk Ross (1910-1991) during the period in which he became a photographer in the Department of Statistics in the Jewish ghetto of Lodz in Poland during World War Two.
Gabriele Basilico (Milan, 1944) has been taking photographs of architecture or, more specifically, the urban landscape, for over 30 years.
The exhibition has been present at the Cheteau d’Eau de Touluse, France and PHotoespaña 014.
NeoRealism: The New Image in Italy, 1932-1960 analyses the relationship and intersections of photography with neorealist expression, which was primarily codified in other cultural sectors such as cinema and literature.
László Moholy–Nagy (Bácsborsód, Hungary, 1895 – Chicago, 1946) is one of the greatest personalities of modernity.
