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The show is curated by François Cheval and Audrey Hoareau
For its 19th edition, PHotoEspaña is dedicated to European photography, continuing the concept initiated in its 2014 edition of focusing on a particular geographic area
The photographers participating in To the Gates of Paradise! aspire to contribute their unique testimony and to renovate, from the outside, the creation of an “engaged” photography
Women, Children and Loitering Men focuses on the photographer’s most prolific period through archives and unpublished images
The photographer Shirley Baker offers an empathetic but unsentimental portrait of ordinary people’s lives
The demolition of impoverished neighborhoods in England during the 60s and 70s serve the British photographer as backdrop to her portrayal of people in relation to their surroundings
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The show is curated by François Cheval and Audrey Hoareau
For its 19th edition, PHotoEspaña is dedicated to European photography, continuing the concept initiated in its 2014 edition of focusing on a particular geographic area
The photographers participating in To the Gates of Paradise! aspire to contribute their unique testimony and to renovate, from the outside, the creation of an “engaged” photography
The Museum of Romanticism is participating in PHotoEspaña for the fourth time, a vital event for this museum devoted to the 19th century, precisely the century when photography itself was invented
In this edition, dedicated to European photography, the museum is hosting a show by the Czech photographer Miroslav Tichý (Kyjov, Czech Republic, 1926-2011), on view from June 2nd to August 28th
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La muestra ha sido comisariada por François Cheval y Audrey Hoareau
En su decimonovena convocatoria, PhotoEspaña está dedicada a la fotografía europea, siguiendo así el camino iniciado en la edición de 2014 de abordar un área geográfica concreta
Los fotógrafos participantes en ¡A las puertas del paraíso! desean aportar un testimonio distinto y recons¬truir, desde el exterior, la creación de una imagen “comprometida”
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La fotógrafa Shirley Baker ofrece en esta muestra un retrato empático pero sin sentimentalismos de la vida de la gente corriente
Los programas de demolición de barrios marginales en la Inglaterra de 1960 a 1980 sirven de contexto a la fotógrafa británica que centra su trabajo en la gente y en su relación con las cosas y los espacios
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PHotoEspaña 2016 visits the Cultural Center with two shows presenting the work of photographers Juana Biarnés and Cristina de Middel
Juana Biarnés. Against the Current offers a selection from the little-known legacy of Spain’s first female photojournalist; a visual and social chronicle of the 60s and 70s
Muchismo, by Cristina de Middel, is an introduction to the prolific output of this photographer from Alicante, one of the most acclaimed contemporary Spanish photographers
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PHotoEspaña 2016 llega al centro con dos exposiciones que presentan el trabajo fotográfico de Juana Biarnés y Cristina de Middel • J
Juana Biarnés. A contracorriente presenta una selección del legado desconocido de la que es considerada como la primera fotoperiodista española, una crónica gráfica y social de los años 60 y 70
Muchismo, de Cristina de Middel, realiza un recorrido por la prolífica producción de la fotógrafa alicantina, una de las artistas más relevantes de la fotografía española contemporánea
Mas información www.phe.es
Imágenes www.lafabricaftp.es/imagenesphe16.zip
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PHotoEspaña 2016 visits the Cultural Center with two shows presenting the work of photographers Juana Biarnés and Cristina de Middel
Juana Biarnés. Against the Current offers a selection from the little-known legacy of Spain’s first female photojournalist; a visual and social chronicle of the 60s and 70s
Muchismo, by Cristina de Middel, is an introduction to the prolific output of this photographer from Alicante, one of the most acclaimed contemporary Spanish photographers
Read more
